Having defined streetcar named desire essay goal in life as a wife and a mother, streetcar named desire essay, Stella wants to be appreciated for what she gives to people. A Streetcar Named Desire The Duchess of Malfi Woman. When comparing Stella to Blanche, one might think of a much more simple and unsophisticated character — and, in a way, such manner of describing Stella will be correct. Most importantly, Blanche is in a stark contrast with Stanley — a contrast which ends up being very problematic — and there Stella can also be considered much more critical than Blanche. Home — Essay Samples — Literature — Plays — A Streetcar Named Desire.
Introduction
Tennessee Williams establishes the interrelationship of Blanche Dubois and Stella Kowalski flawlessly as polar opposites. While it can be assumed that Stella and Blanche share certain similar character features, which are common for their gender, they come from completely different walks of life, have been born and raised in completely different environment and disposed to strikingly different factors and obstacles. As a result, the two women are the exact opposite of each other. Blanche Dubois and Stella Kowalski have fewer similarities than differences in terms of character, e. It would be wrong to assume that Stella and Blanche have no common points of contact; however, when it comes to defining the latter, one must admit that they are mostly restricted to the area of physiology.
Indeed, as women, Stella and Blanche have similar urges that are predisposed by their biological nature. Consequently, some of their behavioural specifics stem from the fact of their being women. There is no need to stress that both Blanche and Stella are yearning for physical pleasures and do not conceal the fact that they need physical contact with men. Stella being more stable and preferring long-term relationships to streetcar named desire essay more flighty, Blanche seems very light-headed to say the least. Unlike Blanche, though, Stella clearly strives for streetcar named desire essay more than being noticed and appreciated solely for her beauty.
Having defined her goal in life as a wife and a mother, Stella wants to be appreciated for what she gives to people. As a result, Stella tends to streetcar named desire essay long-term relationships with people rather than vanish without a trace after striking them with her beauty, as Blanche prefers to, streetcar named desire essay. However, Stella definitely prefers being more confident about her relationships with the rest of the world in general and men in particular. In other words, Stella already knows what she needs and, more importantly, she knows how she can pay for what she wants, i.
Meanwhile, Blanche is in perpetual search for a big romantic feeling that she has never experienced yet which she hopes to experience someday, unable to understand that she also has to give something in return. As it has been stressed above, the two women are strikingly different; apart from gender, they have little to no features in common, and it shows incredibly streetcar named desire essay the setting of the suburbs of a small town, with people like Stanley Kowalski and at the time like the mid-forties. On the one hand, Stella seems much less driven and self-assured than Blanche; coming from a much more humble background and leading the life in which the is given the role of a humble wife of Stanley Kowalski and the keeper of the house, she might be considered the weak type.
Stella clearly has less room to evolve as a person and as an individual, with her husband taking the leading part and being the key decision-maker in the family, streetcar named desire essay. I want magic! Yes, streetcar named desire essay, yes, magic! Apart from having a clear idea about her life purpose, though the latter might seem rather simplistic, Stella is also very down-to-the-ground, which helps her survive in a much harsher environment than Blanche is used to live in. With a specific idea of her purpose in life and the feeling that she is working on fulfilling that purpose, Stella can deal with the harsh environment and even find the ways to enjoy her life, while Blanche is clearly shocked by the new rules and new lifestyle. Blanche tries to change the world around her instead of getting used to it, which begs the question whether she is as meek as she seems to be.
After all, taking actions is what a strong person would do. When comparing Stella to Blanche, one might think of a much more simple and unsophisticated character — and, in a way, such manner of describing Stella will be correct. Stella is simpler, since she leads a much simpler and less glamorous life, which is focused on her husband and the ways to keep him satisfied. Nevertheless, as it has been stressed above, Stella appears to be more cunning and faking than Blanche. Bearing the raw meat home from the kill in the jungle! And you — you here — waiting for him! Ironically enough, Stella does not need the latter, being up to her nose in the household issues; however, such attitude helps her retain her sanity within the coarse environment.
Stella can also be considered much more critical than Blanche. The latter is incredibly romantic, while Stella always keeps her feet on the ground. As it has been made clear above, it would be wrong to consider Blanche a weak person in the full meaning of the word, streetcar named desire essay. She is not weak by default; much like Stella, she has a lot of strength that comes from within, i. The fact that Blanche is not going to survive in the new environment becomes obvious when she fails to find a common language with the new people surrounding her. Blanche Dubois and Stella Kowalski have some minor similarities as they both depend on their sexuality and men around them but they are eventually completely different since Stella is strong and able to address issues while Blanche is mentally weak and lives in the world of her illusions, streetcar named desire essay.
Weirdly enough, Stella, the woman who has been living her entire life in the suburbs, seems to know more about life and its merciless rules more than Blanche, the woman of the fashion and the city elite. Tennessee, streetcar named desire essay, Williams. A Streetcar Named Desire. New York, NY: New Directions Publishing Corporation, streetcar named desire essay. Need a custom Essay sample written from scratch by professional specifically for you? certified writers online. We use cookies to give you the best experience possible. If you continue, we will streetcar named desire essay that you agree to our Cookies Policy. Introduction Tennessee Williams establishes the interrelationship of Blanche Dubois and Stella Kowalski flawlessly as polar opposites.
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civil rights essay topics
Blanche DuBois, Characters in plays, Domestic violence, Drama film characters, English-language films, Female, Femininity and Dependence, Fictional French-Americans, Gender. Class differences lie behind conflict in the play. Through close analysis of the dramatic methods used in the play, and drawing upon relevant external information on social class in the southern states of America, show to what extent you agree with the statement above. A Streetcar Named Desire Social Class. Blanche DuBois, Bourgeoisie, Class consciousness, Cultural Conflicts, Marxism, Middle class, Petite bourgeoisie, Proletariat, Social class, Social classes. The endings of A Street Car Named Desire in the movie and in the play by Tennessee Williams are very different.
Near the end, Kazan changes the turning point A Streetcar Named Desire Movie Analysis. Williams and Yates have set their works in the American, post-World War II, conformist society, they illustrate the terrible effects of this society on women through the genre of modern tragedy. A Streetcar Named Desire is set in , in the atypical American setting of A Streetcar Named Desire The Glass Menagerie. The brutality and inescapability of oppression is a dominant theme in literature as it is a key theme presented in A Streetcar Named Desire. Williams calls for the reform of social constructs such as patriarchy in this play and brings to light modes of oppression A Streetcar Named Desire Oppression.
Abuse, Build-up of violence, Crescendo of violence, Domestic violence, Inescapability of oppression, Light modes of oppression, Male dominance, Norm, Oppression, Patriarchy. While Williams and Woolf use the past to evoke both nostalgia for a better time and regret over the A Streetcar Named Desire Mrs. Dalloway Virginia Woolf. Loneliness and Isolation, Past tense, Social class, Time, Working class. A Streetcar Named Desire and Blues for Mister Charlie are both concerned to a large extent with tensions between different ethnic groups and, since in both plays the ethnicity of each group defines its social position, different social groups as well.
The two plays are Black people, Blanche DuBois, Cultural Conflicts, Race, Social group, Stanley Kowalski, Stella Kowalski, The Old South and the New South, White people. A Streetcar Named Desire Book Review Loneliness. Blanche DuBois, Insanity, Loneliness and Isolation, Stella Kowalski, Vivian Solon. Blanche is both a theatricalizing and self-theatricalizing woman. She lies to herself as well as to others in order to recreate the Blanche DuBois, Characters in plays, Fantasy, Reality, Reality vs Illusion, Sexual Desire, Stanley Kowalski, Stella Kowalski, Tennessee Williams. Many audiences and readers have debated whether or not this act was premeditated or done impulsively, as to some the play is laden with evidence A Streetcar Named Desire Rape. Abuse, American films, Animal sexual behaviour, Bird, Blanche DuBois, Casual sex, Free love, Human sexual behavior, Human sexuality.
Tennessee Williams uses a variety of techniques to produce a strong sense of dramatic tension throughout A Streetcar Named Desire, as he mainly focuses on the interactions between characters to create an edgy mood. A Streetcar Named Desire is at its surface, an undoubtedly heterosexual play. Allan Grey, its unseen gay character, makes homosexuality a seemingly marginal topic within the play. But a deeper reading of the text suggests the opposite. Tennessee Williams uses heterosexual characters as surrogates to A Streetcar Named Desire Homosexuality.
Bisexuality, Blanche DuBois, Characters in plays, Closeted, Drag queen, Gay, Gay community, Gender, Gender role. The playwrights especially focus on the physical and psychological entrapment of females A Streetcar Named Desire The Duchess of Malfi. Death, Entrapment, Femininity and Dependence, Light, Oppression, Patriarchy, Revenge play, Tragedy. Any time a play or a novel is adapted into a film portrayal of the text, critics will evaluate the film either in a positive or a negative manner. It is necessary to understand the freedoms a director has, and understand that an adaptation allows A Streetcar Named Desire Movies. The tragedy in A Streetcar Named Desire can be interpreted through the medium of not just watching it, but reading it.
Williams achieves this through the use of stage directions written in poetic prose, which create imagery with likeness to a novel. Arguably, the most Blanche DuBois, Cultural Conflicts, Domestic tragedy, Domestic violence, Drama, Poetics, Stanley Kowalski, Stella Kowalski, The Old South and the New South. Both are widows, but Blanche is desperate A Streetcar Named Desire Chastity The Duchess of Malfi. Female, Femininity and Dependence, Gender, Human sexuality, Male, Marriage, Promiscuity, Reputation, Sex, Sexual Desire. In his play A Streetcar Named Desire, Williams explores the gruesome nature Abuse, Blanche DuBois, Boy, Bullying, Characters in plays, Emotion, First World, Hart Crane, Human. Stanley Kowalski stumbles home drunkenly to his upstairs apartment.
He sees his pregnant and glowing wife Stella preparing him dinner. The first occasion of this happens within the second scene. However, as with the entire scenes in the play, this scene results in a natural, dramatic climax. Her contrasting manner further infuriates him, once more leading to a build up of tension. Williams uses this consideration to detail to create an atmosphere that heightens the impression of the drama, and emphasises the stress created inside every scene. The Varsouviana, polka music, plays regularly all through the play. Her response is to drink heavily, in an attempt to overcome the sound. The music continues to develop louder and so the strain is amplified. Only when she is drunk enough, does the music subside with the ultimate shot, and a dramatic climax is reached.
It always stops after that! The result of which is growing pressure, to be released within the climax of the scene.
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